The THC and other cannabinoids are solid, while terpenes are liquid, so shatter is basically an emulsion of the two. Part of what makes this structure so hard to attain is the perfect balance between the components it entails. Its appearance is the result of its tight, orderly molecular structure. In a molecular sense, shatter is basically cannabinoid glass. Think of shatter as the hard candy of BHO. You can take that syrup and heat it to 270˚F – 290˚F and create a malleable taffy, or you could also raise the heat to 300˚F – 310˚F and end up with a hard, brittle consistency like a lollipop. BHO can take on many forms, including the newly popular extraction, terp sauce.Ĭonsider this metaphor from Larry Blackmon of the ’80s funk-pop group Cameo: When it comes to the many physical forms it can take, BHO is “just like candy.” There are exceptions, but candy is usually just some treatment of the same ingredient: sugar syrup. Shatterīut what about shatter? All shatter is BHO but not all BHO is shatter. Because of its low cost and wide availability, butane has emerged as the most popular solvent option for hydrocarbon extraction, which has led to the term Butane Hash Oil or BHO. Solvent extraction is complicated, but essentially, a solvent is run through cannabis plant matter, which strips the desirable oils from the plant. In fact, none of the “new” techniques for making concentrates are really new, but the application of solvent extraction to cannabis was absolutely groundbreaking. Solvent extraction isn’t new - it’s used in countless industrial processes, including the decaffeination of coffee and the production of perfumes and food flavors. NorCal dispensary shelves were overstocked with bubble hash by the early ’00s - just in time for the next revolution in cannabis: solvent extraction, which is how shatter is made. Long gone are the days when smoking hash in America meant purchasing a piece broken off a brick shipped from Pakistan, Afghanistan or Morocco: By the early ’90s, the advent of prefabricated “kief boxes” and “bubble bags” inspired a dry sift and ice water hash boom that transformed the U.S. Its dramatic aesthetics often inspire shock and confusion in the uninitiated - and even those who enjoy dabbing shatter often know little about how its made. Shatter is more than just one of the most popular concentrate styles on the market, it’s a symbol of the new wave in cannabis and a high watermark for ambitious extractors who want to make the best. The shimmering clarity invites you to gaze into its reflective surface, while the tantalizing aroma (and the promise of swift, efficient cannabinoid impacts) urge you to, well, shatter it and consume the intoxicating vapor hidden within. Produced in crystal clear sheets of glittering golden glass, nothing else looks quite like a slab of superb shatter. If there’s a single style of concentrate that epitomizes this seismic shift in cannabis technology and culture, it’s definitely shatter. Cannabis concentrates have been around for about as long as humans have been enjoying the benefits of cannabis, but the way they’re made and consumed has evolved dramatically in just the past few years.
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Kevin Plank, a former University of Maryland football player, founded Under Armour® in 1996. Tony Saavedra is an investigative reporter specializing in legal affairs for the Orange County Register. Los Angeles County prosecutors declined to file charges against the involved officers, saying there was no evidence of criminal conduct. Sandlin was killed by a shotgun wound to the head but had been shot numerous times in the head and right arm. Michael was shot 13 times and died at the scene. When the two awoke, officers opened fire, saying they believed Michael was reaching for the gun. The officers tried for 40 minutes to wake them up, using sirens and a patrol car to nudge the bumper of the Malibu. Michael and Marquintin Sandlin were fatally shot after police found them passed out in their Chevrolet Malibu parked in traffic lanes. The officers involved in the killing of Kisha Michael have been fired. I’m glad they’re continuing to press forward,” Phillips said. “We support transparency and we’re looking forward to reviewing the records. In his ruling Friday, July 21, Judge Kin wrote that Inglewood “has set forth no valid grounds upon which the petition should be denied.”Ĭheryl Phillips, a partner in the California Reporting Project - which includes the Southern California News Group - credited the ACLU with holding Inglewood accountable. “They just do not want to produce the records.” “Their only defense was they were a small agency” without the resources to hunt down and produce the records, Ochoa said. “They were one of the worst bad actors among the agencies that were unwilling to produce records,” because the department wasn’t truthful and misrepresented its intentions, Ochoa said. Ochoa said Inglewood produced incomplete records while indicating for at least a year that the full records were on their way, forcing the ACLU to obtain a court order last year preventing the department from shredding any more of the documents. The law later was expanded by SB 16 to include failure to intervene against a colleague using excessive force and discrimination based on race, religion and physical or mental disability. The ACLU is seeking police personnel records under Senate Bill 1421, which the state Legislature passed in 2018 to force police agencies to fulfill requests for records involving police shootings, excessive force and sustained dishonesty. “They haven’t complied with the (public records) law, so we’re not sure they’ll comply with the (court) order either,” Ochoa said.Īttorneys for the Inglewood Police Department declined comment. Kin, Melanie Ochoa, director of police practices for ACLU Southern California, said she will keep the pressure on Inglewood. The ruling also applies to a request by the family of Kisha Michael for department records on the five former officers involved in her fatal shooting in 2016.ĭespite the ruling by Judge Curtis A. The Inglewood Police Department must release police misconduct records to the American Civil Liberties Union within 30 days after failing to deliver them for more than four years, a Los Angeles County Superior Court judge has ruled. Laurens was a soldier in the Revolutionary War he was also an abolitionist. This song is actually a historical fallacy since it’s set in 1776 and Hamilton didn’t actually meet Laurens and Lafayette until a couple of years later. The four men the song is referring to are Alexander Hamilton, John Laurens, Hercules Mulligan and - brace yourself - Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette. Raise a glass to freedomSomething they can never take awayNo matter what they tell youRaise a glass to the four of us Image Credit: Theo Wargo/Getty Images for Tony Awards Productions “My Shot” hints at the policies that flared up tensions between the British and its American colonies (i.e., the British policies of taxing everything ridiculously), and it’s a pretty decent rap. He took part in the Revolutionary War and was recruited to be George Washington’s aide, which ended his military career. I have learned to manage, I don’t have a gun to brandishI walk these streets famishedThe plan is to fan this spark into a flameBut damn, it’s getting dark, so let me spell out the nameI am the A-L-E-X-A-N-D-E-R we are meant to beĪ colony that runs independentlyMeanwhile, Britain keeps shittin’ on us endlesslyEssentially, they tax us relentlesslyThen King George turns around, runs a spending spreeHe ain’t ever gonna set his descendants freeSo there will be a revolution in this centuryĪlexander Hamilton was a firm believer in independence for the colonies. Image Credit: Justin Sullivan/Getty Images It’s a bit spooky, especially when you factor in that Burr was responsible for taking Hamilton’s life. They both became lawyers and both their children died tragically. Burr and Hamilton both attended Princeton and graduated early. In “Aaron Burr, Sir,” the men seem to be getting acquainted with one another. Burr was the third vice president of the United States and is also known as the man who killed Hamilton in a duel. Fate seemed to lead both men down the same path. The tale of Aaron Burr and Alexander Hamilton is pretty strange. James Hamilton abandoned Rachel, leaving her to fend for herself.īURR:And while we’re talking let me offer you some free advice.Talk less.īURR:Don’t let them know what you’re against or what you’re for.īURR:Fools who run their mouths off wind up dead. His mother, Rachel Lavien née Faucette was fleeing from her abusive husband when she met Hamilton’s father, James A. His father and mother weren’t married when he was born and his father never officially claimed him, and in those days, that made Hamilton a “bastard.” Hamilton couldn’t attend the local parish’s school because of his status. It turns out our founding father Alexander Hamilton had a really tough childhood. How does a bastard, orphan, son of a whoreAnd a Scotsman, dropped in the middle of a forgotten spot in the Caribbean by providence impoverished,In squalor, grow up to be a hero and a scholar? Image Credit: Kean Collection/Archive Photos/Getty Images Keep reading (and rapping!) so you don’t miss a thing.Ī version of this story first appeared in November 2016. So we’ve broken down a couple of fan-favorite songs and revealed some history lesson gems hidden in the lyrics. Luckily, most of the lyrics of the Hamilton album have been explained by Lin-Manuel Miranda himself. I’ll admit, some of the lyrics went right over my head - it helps to have a quick and dirty guide to all the historical references and names. The tracks on Hamilton, although delightfully modern and wide in musical range, require some careful analyzing, though. I mean, Miranda has George Washington rapping fire bars - no wonder this musical has become a classic. And ever since it hit Broadway, it garnered a major cult following - from those who’ve either watched the show or listened to the soundtrack in its entirety on Spotify. It received a record-setting 16 Tony nominations and won 11, including Best Musical. Hamilton: An American Musical changed musical theater as we know it. Path of Exile 2 and Trial of the Ancestors bring exciting updates and enhancements to the popular action RPG franchise, offering players new adventures and customization options to enjoy. The expansion introduces new rewards, including Passive Tree Tattoos and Omens, as well as the return of the Forbidden Sanctum expansion content. Each match allows players to choose a tribe to compete against and strategically place their warriors on the battlefield to destroy enemy totems. In the expansion, players will journey to the Karui afterlife and assemble a team of warriors to take on fallen chieftains in tournaments. Meanwhile, the latest expansion for the original Path of Exile, titled Trial of the Ancestors, is set to release on August 18, 2023, for PC, Mac, PlayStation 4, and Xbox One. También puede que algunas tiendas vendan 'Preorder Bonus' lo que significa que esa versión viene con contenido extra, como un DLC o cosméticos. The endgame will feature over 100 maps, each with its own boss fight and modifiers. Incluye el videojuego Cult of the Lamb para Nintendo Switch, aunque puede que algunas tiendas incluyan ediciones especiales con contenido adicional como una edición Deluxe o Ultimate. Path of Exile 2 will also include 700 base equipment types, each with its own unique item, and introduce new weapon types such as spears, crossbows, and flails. The iconic Path of Exile Passive Skill Tree will make a return, allowing players in Path of Exile 2 to dual specialize and allocate skill points into two different sets of skills. Additionally, the game will feature a revamped skill gem system with over 240 skill gems and 200 support gems for customization. Thirty-six Ascendancy class specializations will also be available. Players will be able to freely adjust their character build and utilize skills from other classes. There will be twelve starting character classes, each representing combinations of Strength, Dexterity, and Intelligence. Path of Exile 2 will introduce a new six-act main storyline with 100 distinct environments, 600 monsters, and 100 bosses. The game will feature a completely separate client and endgame content from the original Path of Exile, but cosmetic purchases made in one game will be shared between both games. Path of Exile 2, previously expected to release this year, will now launch in 2024 for PC, Mac, PlayStation 5, and Xbox Series X|S. The reveals included details about the latest expansion for Path of Exile, as well as new launch plans and information about Path of Exile 2. Developer Grinding Gear Games recently held its ExileCon event in Auckland, New Zealand, where it made exciting announcements for both Path of Exile and the upcoming Path of Exile 2. Johnson wrote those words at the turn of the 20th century, an era historians call the “nadir” of African American history. I know it’s born of faith in God who, as the poet and author of the anthem, James Weldon Johnson, wrote, “hast brought us thus far on the way” and “hast by thy might led us into the light.” I thank God for the grace my Black friends extend to me and to the church. It takes grace, at the denominational annual meeting, to exchange a sign of peace with the person who earlier mistook you for one of the conference center’s waiters and now doesn’t even recognize you from that incident.Īnd, I realize, it takes grace to continue to sing along to “Lift Every Voice and Sing” next to the white woman whose eyes are brimming with tears without telling her to get over herself and dry it up. It takes grace to continue to cooperate when white members of your denomination lament the closing of historically Black churches without acknowledging the historic lack of investment by the larger, predominantly white church, or the Jim Crow laws and customs that made those churches financially vulnerable. And they’re also tears of wonder: wonder at the grace my Black siblings in Christ show by continuing to stand, sing and worship with people who so often close our ears to the song’s present-day call. They’re not so much tears of mourning for the past - although the lyrics attest that there is plenty to lament - as tears of shame for the present. Some of us are immigrants: many, like me, benefiting from the white privilege that the Civil War’s torrents of blood did not wash away, others targeted daily by the shape-shifting demon of racism.Įvery time, these thoughts leave me singing through tears. Many are descended from both groups (a fact usually not acknowledged by the white branches of their family trees). Others’ ancestors held those people in slavery. But the next verse is more challenging:įelt in the days when hope unborn had died …Īt this point, I’m usually looking around the church, deeply conscious that some in the congregation are descended from people who trod the stony road of slavery - a way, as the lyrics say, that was watered with tears - on toward emancipation through “the blood of the slaughtered.” The opening is a beautiful invitation anyone can belt out with gusto. Most white members of the congregation, however, can only summon the first couple of lines or hum the tune. (It doesn’t take long a melody that alternates between soaring notes and a marching tempo drives home both the words and the emotions behind them.) Others were introduced to the song when Beyoncé sang it at Coachella as the first African American woman to headline that music festival, in 2018. Most people who can sing the anthem by heart are Black they often have learned the words from their families and community, in church and civic celebrations.Ī few are like me: white people who committed to memorizing the lyrics. In this case, familiarity breaks down along racial lines. As with any song in the hymnal (“Lift Every Voice and Sing” is included in many of them), some members of the congregation know it better than others. Friends of mine recently included it in their wedding. In Episcopal circles, the song known as the Black national anthem rings out at celebrations of saints like Absalom Jones and Richard Allen, Henry Beard Delany and Pauli Murray. Note: When you embed the widget in your site, it will match your site's styles (CSS).I’ve heard the words so often lately, I’ve learned them by heart. Get the embed code The Boys Choir of Harlem - We Shall Overcome Album Lyrics1.Let There Be Peace On Earth2.Lift Every Voice and SingThe Boys Choir of Harlem Lyrics provided by True to our God, true to our na-tive land. Lest our hearts, drunk with the wine of the world, we for-get Thee Lest our feet stray from the plac-es our God, where we met Thee, Thou who hast brought us thus far on the way Where the bright gleam of our bright star is cast. Tread-ing our path through the blood of the slaugh-tered We have come o-ver a way that with tears has been wa-tered Sing a song full of the hope that the pres-ent has brought usįelt in the days when hope un-born had diedĬome to the place for which our peo-ple sighed? Sing a song full of the faith that the dark past has taught us Pearl necklace and earrings that were my great grandmother’sĮmerald rosary that belonged to my grandmother Weird, right? (always carry)ġ5” Macbook Pro in my favorite Incase sleeveġ930’s first edition Webster’s Dictionary (a gift from my boyfriend) Old photograph of my grandmother taken by my grandfather Old photograph of my grandfather and his car Inhaler I’ll need it after crawling under the smokeĬRKT M16-13DSFG Folding Knife (always carry) Sig Sauer P226 Dark Elite I also shoot with this The Gentleman’s Companion: Around the World with Beaker and FlaskĬanon Rebel Eos T2i with Tamron 17-50mm lens I shoot with this Old English molds for making fancy meat pies Pipe, tobacco and a humidor my brother made for me for Christmas (matches are from an old hunt club near where I grew up-they have Polo and fox hunting) Gold monogrammed cufflinks (worn by 3 generations of Burbidges before me-with the history written on a tiny piece of paper-each owner wore them during a momentous occasion in their lives Gold Krugerrand given to me by an uncle on graduating collegeĬhrist’s College, Cambridge carved wooden boxīattle Creek Sanitarium silver souvenir spoonĪncient Order of Froth Blowers silver pin for the rank of “Blaster” in the shape of a foaming mug Silver toddy/punch ladles c.1750s (the handles are twisted whale bone and the bowls are fashioned out of George II silver shillings) Wedgwood (huge) mug marking the investiture of Prince Charles c.1969 Smith Woodhouse vintage 1977 port (part of a mixed case of vintage port my uncle gave me when I graduated college)Įquestrian mounted leather pouch with fitted sandwich case and flask (don’t ride, but it comes in useful for a ramble) Grey topper (every inch of the silk lining is covered in autographs and witty handwritten sayings from various garden parties c.1932-1934) Royal Artillery zig zag needlepoint slippers Wedgwood plate c.1870s and RAF crested officer’s mess cutleryįrench 1930s military-style hairbrushes (use ‘em every day) Pour le Merite medal given to me by a WWII veteran friendĬoldstream Guards Colour Sergeant’s scarlet coat Johnnie Walker Black c.1950s (from a case found in an uncle’s basement) Paper silhouette of my royal consort, Lady Meredith Green silk formal waistcoat of the Porcellian Club with jacquard boar’s heads c.1931 Loose organic Assam BOP tea in silver caddy (which goes in the blue pot to the right) Leather collar box and stiff wing collars Striped college scarves (to secure the rolled up carpet and because I like them) This list is to “the bare essentials” what Wellington’s-army-on-campaign is to a camping trip, but I suppose we all have a different idea of which things are “essential.” *Note: The carpet underneath is not merely decorative as the idea is that all these bits would be rolled up in it and carried out the front door in one go. Painting from 2005 of a moth in monochromatic. Wine from 2008 the day my first daughter was born (Big Sur Marathon)īox of misc flowers given to me from my wife over 11 years agoĭell 2600 – my life is almost completely digital now My guitar (the only item that has survived more than 15 years with me) Paper mache cat that my wife and I both had when we met Willow Tree Dad with baby (we had such a hard time conceiving our first child – this gift moved me)Ĭhange of clothes for my two girls / pacifier from the hospital. Occupation: Programmer, Photographer, Runner With nearly 250 submissions and growing each day, the Burning House is a truly fascinating project.īelow is a list of the items Brett (pictured above) would take with him: Think of it as an interview condensed into one question. What you would take reflects your interests, background and priorities. It’s a conflict between what’s practical, valuable and sentimental. If your house was burning, what would you take with you? The Burning House is a brilliant project that seeks to answer a simple question: The final boss fight being one calmly executed move by a wise master was super fitting. Even the turtles themselves have conflict within the group mostly stemming from typical teenage hot-headedness. According to Kevin Eastman Ice Cream Kitty is meant to be the 2012 TV series version of Klunk. Danny seeking the Footclan (and the Footclan themselves).She is voiced by Kevin Eastman, the co-creator of the Teenage Mutant Ninja Turtles. Ice Ice Baby gets all the glory, but at a Vegas nightclub this week, Vanilla Ice sang one of the best songs of all time: 'Teenage Mutant Ninja Turtle II.Journey to the Center of Mikey's Mind (In Mikey's imagination). But the inclusion of this into the Teenage Mutant Ninja Turtles Mutant Mayhem doesnt raises my exci. Once a stray starving street cat until April found her and took her back to the Sewer Lair. April left Mikey in charge of her cat, but she ate some ice cream infested with Mutagen Ooze, and became Mikey's new pet cat! I love the Ninja Rap, I will play that from time to time. Her tail is made out of vanilla and chocolate also. Tales of the Teenage Mutant Ninja Turtles will be executive produced by Chris Yost and Alan Wan, who also serve as showrunners. Her body is composed of Neapolitan Ice Cream, with the head being strawberry, the torso made of vanilla and the waist and lower body made of chocolate with short stubby arms made of chocolate and vanilla. RELATED: TMNT: Mutant Mayhem Brings Back Vanilla Ice's 'Ninja Rap' Reportedly, the untitled sequel will be produced by Point Grey Pictures with director Jeff Rowe returning. Originally just a normal feline, when the cat consumed mutagen-tainted ice cream, it turned into an amorphous ice cream monster. A little over two decades since Vanilla Ice rapped Go, ninja, go as a nightclub performer in 1991’s Teenage Mutant Ninja Turtles II: The Secret of the Ooze, the Ninja Rap. ALL NEW SEASON OF VANILLA ICE PROJECT ON DIY CHANNEL SATURDAY NIGHTS AT 9 et DIYNetwork. Two sub-branches, ethnomethodology, and the ethnography of communication, are concerned with style in its contextual and communicative dimension. Both of these cases are examples of change from above, rather than below.Īt its outer edges sociolinguistics merges into the related area of stylistics, and in particular, discourse analysis. This has happened in the case of ‘r’ dropping in parts of America, and ‘h’ dropping in New Zealand and Australia, where vigorous attempts have been made to reintroduce these vulnerable sounds in the environments in which they are most likely to disappear. Once a feature has emerged into consciousness, however, and particularly if it becomes a stereotype, there may be attempts to check its progress by reintroducing some supposedly ‘correct’, and there-fore more prestigious, form. Such changes are examples of change from below, that is, from below conscious awareness. At a final stage a feature may become so distinctive of a certain section of the public that it becomes a stereotype. If successful, they become adopted more widely by other groups, for whom they become markers. Most innovations start as indicators, with certain social groups unconsciously producing them a good example is ‘h’ dropping. The first kind of variable is termed a marker and the second an indicator. What appears to happen is that people monitor their production of a variable they are particularly conscious of, whilst those they are less conscious of, they ignore. Interestingly, the findings which have emerged from such studies show that some variables are more subject to stylistic variation than others. So tests have to take into account stylistic factors as well as social ones. They vary their speech according to the formality or informality of the occasion. One complicating factor, however, is that people do not consistently produce a particular accent or dialect feature. On the basis of such data it is possible to chart the spread of innovations in accent and dialect regionally. The results are then set against social indices which group informants into classes, based on factors such as education, money, occupation, and so forth. Sections of the population, known as informants, are then tested to see the frequency with which they produce particular variants. In classic cases, like those undertaken in New York by Labov, or in Norwich by Trudgill, a number of linguistic variables are selected, such as ‘r’ (variably pronounced according to where it occurs in a word) or ‘ng’ (variably pronounced /n/ or /ŋ̍/). The standard way in which sociolinguists investigate such use is by random sampling of the population. All of these have a bearing on language use. The social variables which influence speech include personal factors such as age, and education, as well as more general ones like nationality, race, and sex. Their overriding concern is with the way in which language varies according to the social context in which it is used and the social group to which it belongs: Labov terms this ‘secular linguistics’. Sociolinguists, on the other hand, are more interested in ‘real’ speech, within and among communities. Generative linguists examine ‘idealised’ samples of speech in which utterances are complete, in a standard form of the language, and free from performance errors. Its popularity has grown very much as a reaction to the more ‘armchair’ methods of generative linguists of the Chomskyan school. It is sometimes referred to as the ‘sociology of language’, although that label suggests a greater concern with sociological rather than linguistic explanations, whereas sociolinguists are principally concerned with language, or, to be more precise, with what Dell Hymes crucially calls ‘socially constituted’ language: with the way language is constructed by, and in turn helps to construct, society. Sociolinguistics is in many ways a blend of sociology and linguistics. Labov was one of the first linguists to turn his attention away from rural, to urban, subjects, in an attempt to analyse the contemporary features of American speech. This kind of dialectology was inherently conservative and was part of larger, comparative language studies pursued under the discipline of philology. Before then there had been a long tradition of studying dialects, usually in remote rural areas, as part of language surveys, but with an agenda largely dictated by concerns to record and preserve historical features of the language. It wasn’t until the early 1960s, largely as a result of William Labov’s work in America, and Peter Trudgill’s in Britain, that it developed into a recognised branch of linguistics. Sociolinguistics, or the study of language in relation to society, is a relative newcomer to the linguistic fold. |
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